“From Mumbai to Netflix and beyond — Prashant Kumar from KMR MASTERING is shaping the new sound era of INDIA. KMR MASTERING is India’s own dedicated mastering studio, offering a complete end-to-end mastering Solution— right here in Mumbai. At the core of his mastering setup is the specially customized Sonodyne SM 3300 — delivering precision, depth, and clarity where every note and nuance finds its true place. It’s not just heard. It’s felt. Prashant’s journey is about choosing passion over convention, and believing that world-class sound doesn’t need to be outsourced abroad. His work with Netflix, MX Player, and others, labels like T-Series, Sony Music, Tips, and Many Bollywood Legendary Composer’s stands as proof: World-class mastering lives in AMCHI MUMBAI. Make in India. Made in India. Heard across the world.”

“From being hailed a prodigy at a young age to touring the world and collaborating with icons like A.R. Rahman, Louiz Banks, Peter Finger, and Zakir Hussain — Rhythm Shaw has become one of India’s most versatile and celebrated musicians. A 29-year-old Mumbai-based guitarist and classically trained tabla player, Rhythm blends technical mastery with boundless creativity. His music flows seamlessly across genres, weaving tone, texture, and emotion into soundscapes that inspire. For him, the guitar is more than an instrument — it’s an extension of his imagination and pursuit of honesty, clarity, and depth. The SM 300 is a triamplified monitor with detailed sound for mixing and mastering applications. ”

“Sonodyne joins the “bandwagon”. Bandwagon Studios and Spaces is a unique concept among studios. Primarily due to the unique personality behind it, Zubin Balaporia Zubin has been a core member of Indus Creed (nee Rock Machine) since the early 80s and before that with the iconic Atomic Forest. A pianist by training, and keyboard player, he has since ventured into production and curation. His recent pet projects were the curation for Serendipity Arts Foundation, globally. Bandwagon Studios started in 2006 and has been recently rechristened “Bandwagon Studios and Spaces.” Operating out of a mindfully laid out space in Mahalaxmi, it features not only a studio, but a well fitted - out live recording floor. This area is also used for various other activities like full band rehearsals, podcasts, and art exhibitions. Zubin’s ears have been trained with the organic sounds of the classic rock area, which he has captured in the form of samples. He tests the trueness of his gear with these samples”

“No more second guessing any of my decisions because if it sounds good through my Sonodyne SRP 400s, it will sound good everywhere else”

“Thank a lot to Pro AVL Asia for featuring the visionary Sunny M R of Chordfather Productions Mumbai in their September–October 2025 issue. It's an honour to read about his creative journey and studio philosophy celebrated in such depth — and even more rewarding to witness his trust in our Sonodyne SM 3200 in his Atmos mix room and SM 3300 Active Studio Monitors for his 55 sqm flexible production space. At Sonodyne India, we’re proud to be of Sunny’s incredible journey of sonic excellence.”

“I have my Sonodyne SRP 400 for a few years and can admitt that I spend more and more time with them when mixing, comparing to bigger full range monitors. It's unbelievable how such small monitors can show the entire music spectrum in such natural way, not just the middle frequencies without reference to the rest of the frequency response”

“After picking up the 400s about two years ago and pairing them up with my Presonus sub, the Sonodyne's have quickly become my main monitors for mastering. The human ear is most sensitive in the 2kHz to 5kHz region, so getting the mid range well balanced is a big part of mastering. This is is where the Sonodyne's shine. Phenomenal midrange detail that translates great to other listening systems. They also have great high frequency response and have a surprising amount of low end for such small speakers (I'm guessing the solid aluminum frame probably has a lot to do with that). Can't live without them at this point. ”

“I love using my Sonodyne SM 200AKs on remote classical sessions. Since they are self-powered I don't need to haul a power amp to the session and their extended low frequency response means I get more than adequate low end content without having to rig a subwoofer and spend time on its adjustments. Best of all, the 200s sound great! ”

“The detailed tops end of the SM 100s translate extremely well when I get to the mix theatre”

“I had been looking for a while for the right speakers to connect to my electronic piano for practicing and to use with Logic Pro. My sound engineer friends Bunty Sinha and Sayan Ghosh highly suggested I get the Sonodyne SRP400s. I got in touch with Anindya Mukherjee at Sonodyne about their studio monitors. Today I’m proud to announce that they signed me on as a Sonodyne Artist and now I am using the SRP400 studio monitors. For the first time I am hearing resonant tones from my keyboard and the piano tones sound so life like. When I listen to music on these I can hear every single instrument as if it was beibg played right in front of my ears. I cannot recommend these studio monitors enough! It has made a massive difference to my daily practice, programming and music listening. If you are looking to get studio monitors, get these!”

“Having had the luxury of a large space in London with Dynaudio speakers, on transferring to a smaller space in a Bombay home environment I needed something that would give me power and quality but would not let the environment or space affect the sound of my mixes and my listening pleasure I was thrilled when I had the opportunity to try out the PM 100s from Sonodyne who have been making great waves in the Indian music industry and in particular with those writing for film for many years. This has taken me a long time to get pen to paper as I have been so busy enjoying the speakers! But from day one the sound and beauty of these speakers has been prevalent. Its always a concern how your mixes will carry from your environment to other spaces where they are played be it iTunes on a phone to a large cinema. So it always takes effort and time and patience to ensure that what you are giving your client and/or your fans is as good in their environment as it is in yours. So that what yo”

“ I've been using the SRP 600s as my primary set of monitors for about 6 years now and they are truly a pleasure to work with every day. They are such well designed, robust set of monitors and I feel like these 6.5'' woofers give me just the right amount of low end information I need to make an informed decision on my mixes. The Sonodynes don't lie. They give you a true representation of your source, which in turn helps you get the best results on your mixes. ”