SUB SERIES

Sub 1012D

Sub 1012D front firing powered subwoofer

Between the four models of subwoofers, we have ideal low frequency reinforcement partners for the Reference Series.

The high excursion transducers are designed for long hours of studio performance with focus on loudness and low frequency extension without audible distortion. Each model has 2 channel bass management for optimal level and frequency balance with the main channels. While the amplifiers are Class D, the power supply is a hefty linear toroidal transformer to minimise noise while maximising headroom and reliability.

Beautifully finished in matching colours with the main channels, these subwoofers are ideal both for music and multichannel applications

MRP : ₹ 77,500

Tech Specifications

highlights

  • Built in high power, Class-D power amplifier to drive the dedicated subwoofer driver at full volume with low distortion while consuming very little power

  • Efficient subwoofer - amplifier integration that reproduces lows comfortably down to the threshold of human hearing

  • Serious internal cabinet bracing and sealing to minimize spurious noises

  • Variable Crossover Frequency

  • Phase Switch

  • Line level and LFE inputs

Specifications

DESCRIPTION Front firing subwoofer, vented
ENCLOSURE MDF, vented
TRANSDUCER COMPLEMENTS 1 x 12" high excursion woofer
AMPLIFIER TOPOLOGY Class D
AMPLIFIER POWER 300W
MAX SPL @ 1M 116dB
FREQUENCY RESPONSE (-3dB) 25Hz
LOW FREQ. EXTENSION (-10dB) 24Hz
LOW PASS FILTER 50Hz ~ 150Hz
PHASE Switchable : 0º & 180º
CONTROLS Level control, Frequency control
INPUTS Left , Right & LFE unbalanced RCA type
INPUT SENSITIVITY 250mV @ level control max
OUTPUTS 2 x XLR
FINISH Front : Ash, Outer skin : Option of Black, ash or rosewood
IN THE BOX Mains cord, user's manual, screw on spike, disc and tightening lever
DIMENSIONS (HxWxD) mm 390 x 390 x 514
NET WEIGHT 22kg
NOTE: Due to continuous improvements, all specifications are subject to change

SET UP YOUR SYSTEM

SUBWOOFER SET-UP

Low frequencies below 150 Hz are omni-directional; that is, they seem to come from all directions. Hence it would not be possible to locate  the subwoofer no matter where it is placed in your room. This, however, does not necessarily mean that the placement of the subwoofer is not critical. Each room, depending on its shape and dimensions, has a number of resonant frequencies that react with each other. Thus, the level of perceived bass may vary across a room depending on where source of sound is placed.

 Suggestions on placement are given in the Figures below. It is important to note that every reflecting surface increases the low frequency level by  3 dB. Hence, when you place your subwoofer up against a wall, you get a higher level of low frequencies than when it is placed further away from any wall. Similarly, when you place it in a corner, the three reflecting surfaces further increase the level. However, this may result in uneven distribution of bass across your room, as discussed before. Hence, experiment with the placement and monitor its bass while sitting at your favorite listening spot. It may take a while before you finally arrive at the optimum location.

One experiment that usually works is this. Start out by placing your subwoofer where your favourite listening spot is (you will have to take the trouble of vacating your armchair, but only briefly!) Then, turn on your subwoofer and move across the room to  find a spot where bass response is best. This is the optimal position of your subwoofer with reference to your favourite listening spot. 

 

 

 

ACOUSTICS OF THE LISTENING ROOM

The acoustical makeup of your listening room is key in determining how good (or bad) is the sound that reaches your ear. The contents of a room (carpets, curtains, furniture etc.), its shape, and the material of which the boundaries are made, make or break your sound. The idea is to have a listening area where the absorptions and reflections are calibrated to attain, as far as possible, a neutral environment. While there are no 'quick fix' formulae to convert a room to an 'ideal listening room', here are some things that you might try to attain optimal performance.

In your listening room, clap your hands, snap your fingers, and jingle a ring of keys. If the resulting sound is unintelligible (muffled), and resonating, your room is inclined toward being reflective. In this event, you might want to: Hang up curtains/ lay a carpet or rug / introduce book cases/ other racks. In the event that the resulting sound is too damped your room is inclined toward being absorptive. You might want to remove some of the absorptive material (like those given above). 

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