SRP 200 SERIES

SRP 203

SRP 203 active monitor

With the SRP 203, things start getting more serious. You have a largish room, and you don’t want any compromise. Call on the 203 to deliver uncoloured, undistorted, loud sound that will make the performer proud. And your ears happy.

 

MRP : ₹ 48,145

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Tech Specifications

highlights

 

  • Aluminium die-cast enclosure
  • Inbuilt 100 watt bi -amplifier with DSP balance 
  • 5.25" Kevlar woofer 
  • Custom HF waveguide 
  • Detailed midrange
  • Tight & defined bass response 
  • Stand, wall mounts (optional)

 

Specifications

DESCRIPTION 2 way biamplifier speaker
ENCLOSURE Pressure die-cast aluminum
TRANSDUCER COMPLEMENTS: HF Magnetically shielded 26mm silk dome tweeter with custom waveguide
TRANSDUCER COMPLEMENTS: LF Magnetically shielded 5.25" Kevlar cone woofer in die-cast chassis
AMPLIFIER THD < 0.04%
AMPLIFIER POWER LF: 50W, HF: 50W
MAX SPL @ 1M 104 dB
FREQUENCY RESPONSE (-3 dB) on axis 65 Hz ~ 22 kHz
FREQUENCY EXTENSION (-10 dB) 50 Hz ~ 25 kHz
CROSSOVER FREQUENCY 2.5 kHz
INPUTS 1 x fully balanced XLR, 1 x unbalanced RCA socket
FINISH Paint (black/ white/ red)
COLOURS Black/ white/ red
DIMENSIONS (HxWxD) mm 279 x 210 x 181
POWER CONSUMPTION 100 VA max.
NET WEIGHT 6.8 kg
FLOOR MOUNT STAND MODEL SRP FS 1 W/B
WALL MOUNT BRACKET SRP WB2
NOTE: Due to continuous improvements, all specifications are subject to change

SET UP YOUR SYSTEM

STEREO SET-UP

The following sketch shows an optimum set-up for a stereo system. The important part here is to place the speakers such that the head of the listener and the two monitors lie at the vertices of an equilateral triangle.

SURROUND SOUND SET-UP

The following sketch shows a 5.1 set-up. It is recommended to have a symmetrical listening position with the front left and right speakers facing the listener and the surround speakers located at the back of the listener.

 

Distance from walls

While placing speakers, make sure that they are at least 40 cm away from any reflecting surface. This will help minimise bumps in the low-frequency response due to reflections, and also ensure that the rear-mounting port is unobstructed. It is also required to ensure that the heat sinks at the back have adequate ventilation, for uninterrupted operation.

ACOUSTICS OF THE LISTENING ROOM

The acoustical makeup of your listening room is key in determining how good (or bad) is the sound that reaches your ear. The contents of a room (carpets, curtains, furniture etc.), its shape, and the material of which the boundaries are made, make or break your sound. The idea is to have a listening area where the absorptions and reflections are calibrated to attain, as far as possible, a neutral environment. While there are no 'quick fix' formulae to convert a room to an 'ideal listening room', here are some things that you might try to attain optimal performance.

In your listening room, clap your hands, snap your fingers, and jingle a ring of keys. If the resulting sound is unintelligible (muffled), and resonating, your room is inclined toward being reflective. In this event, you might want to: Hang up curtains/ lay a carpet or rug / introduce book cases/ other racks. In the event that the resulting sound is too damped your room is inclined toward being absorptive. You might want to remove some of the absorptive material (like those given above). 

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