SRP 200 SERIES

SRP 201

SRP 201 active speaker

The SRP 201 may be the baby of this range, but she holds her own. The inbuilt bi-amplifers work in tandem with the high quality transducer to provide big, detailed sound from a very small enclosure. For exceptional sound in premium spaces, choose this SRP. For ideal bass extension, choose the Sub S6

MRP : ₹ 21,215

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Tech Specifications

highlights

  • Aluminium die-cast enclosure
  • Sealed enclosure
  • In-built 30 watt bi-amplifier
  • 3" Glass fibre cone woofer
  • Detailed midrange
  • Stand, wall mounts (optional)

Specifications

DESCRIPTION 2 way biamplifier speaker
ENCLOSURE Pressure die-cast aluminum
TRANSDUCER COMPLEMENTS: HF Magnetically shielded 26mm silk dome tweeter with custom waveguide
TRANSDUCER COMPLEMENTS: LF Magnetically shielded 3" glass fibre cone woofer in die-cast chassis
AMPLIFIER THD < 0.1%
 AMPLIFIER POWER LF: 15 W, HF: 15 W
MAX SPL @ 1M 95 dB
FREQUENCY RESPONSE (-3 dB) on axis 95 Hz ~ 22 kHz
FREQUENCY EXTENSION (-10 dB) 80 Hz ~ 25 kHz
CROSSOVER FREQUENCY 2.7 kHz
INPUTS 1 x balanced XLR, 1 x unbalanced XLR socket
FINISH Paint (black/ white/ red)
COLOURS Black/ white/ red
DIMENSIONS (HxWxD) mm 184 x 125 x 120
POWER CONSUMPTION 45 VA max.
NET WEIGHT 2.5 kg
FLOOR MOUNT STAND MODEL SRP FS 1 W/B
WALL MOUNT BRACKET SRP WB1
NOTE: Due to continuous improvements, all specifications are subject to change

SET UP YOUR SYSTEM

STEREO SET-UP

The following sketch shows an optimum set-up for a stereo system. The important part here is to place the speakers such that the head of the listener and the two monitors lie at the vertices of an equilateral triangle.

SURROUND SOUND SET-UP

The following sketch shows a 5.1 set-up. It is recommended to have a symmetrical listening position with the front left and right speakers facing the listener and the surround speakers located at the back of the listener.

 

Distance from walls

While placing speakers, make sure that they are at least 40 cm away from any reflecting surface. This will help minimise bumps in the low-frequency response due to reflections, and also ensure that the rear-mounting port is unobstructed. It is also required to ensure that the heat sinks at the back have adequate ventilation, for uninterrupted operation.

ACOUSTICS OF THE LISTENING ROOM

The acoustical makeup of your listening room is key in determining how good (or bad) is the sound that reaches your ear. The contents of a room (carpets, curtains, furniture etc.), its shape, and the material of which the boundaries are made, make or break your sound. The idea is to have a listening area where the absorptions and reflections are calibrated to attain, as far as possible, a neutral environment. While there are no 'quick fix' formulae to convert a room to an 'ideal listening room', here are some things that you might try to attain optimal performance.

In your listening room, clap your hands, snap your fingers, and jingle a ring of keys. If the resulting sound is unintelligible (muffled), and resonating, your room is inclined toward being reflective. In this event, you might want to: Hang up curtains/ lay a carpet or rug / introduce book cases/ other racks. In the event that the resulting sound is too damped your room is inclined toward being absorptive. You might want to remove some of the absorptive material (like those given above). 

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