Micro Series

Micro 3001

Micro 3001 banner long Micro 3001 banner long

Micro 3001 satellite speaker

The Micro 3001 is a satellite speaker. The enclosure is ABS (moulded plastic) that gives the Micro a unique shape that blends into your living space. The 3001 can be used as LCR and surround channels for music and multichannel audio. The products are sold separately or as part of the Micro HTS. You may install the Micros using the keyhole slot or with universal brackets (included). So if you are looking for high quality music or cinema sound experience in your premium space, choose the new Micro from Sonodyne.

Tech Specifications

highlights

  • ABS moulded cabinet
  • Custom 3” low-mid and 1” HF transducer 
  • 2 way design, with detailed response 
  • Can be used for music and multichannel audio
  • Wall mount included
  • White and black colours

Specifications

DESCRIPTION 2 way speaker , ported
ENCLOSURE ABS
TRANSDUCER COMPLEMENTS: HF 0.5 inch polycone tweeter
TRANSDUCER COMPLEMENTS: LF 3 inch woofer
RECOMMENDED AMPLIFIER POWER 40 - 100 watt
NOMINAL IMPEDANCE 8 Ohm
SENSITIVITY (1 W 1M) 87 dB
FREQUENCY RESPONSE (-3 dB) 100Hz - 20kHz
FREQUENCY RANGE (-10 dB) 80Hz - 22kHz
CROSSOVER FREQUENCY 6.5 kHz
INPUTS Binding post
COLOURS Black / White
DIMENSIONS (HXWXD)  171 mm x 100 mm x 108 mm
NET WEIGHT 0.75 kg
MOUNTING OPTIONS Wall mount bracket (inlcuded)
PACKED IN pairs
NOTE: Due to continuous improvements, all specifications are subject to change

SET UP YOUR SYSTEM

STEREO SET-UP

The following sketch shows an optimum set-up for a stereo system. The important part here is to place the speakers such that the head of the listener and the two monitors lie at the vertices of an equilateral triangle.

SURROUND SOUND SET-UP

The following sketch shows a 5.1 set-up. It is recommended to have a symmetrical listening position with the front left and right speakers facing the listener and the surround speakers located at the back of the listener.



Distance from walls

While placing speakers, make sure that they are at least 40 cm away from any reflecting surface. This will help minimise bumps in the low-frequency response due to reflections, and also ensure that the rear-mounting port is unobstructed. It is also required to ensure that the heat sinks at the back have adequate ventilation, for uninterrupted operation.

ACOUSTICS OF THE LISTENING ROOM

The acoustical makeup of your listening room is key in determining how good (or bad) is the sound that reaches your ear. The contents of a room (carpets, curtains, furniture etc.), its shape, and the material of which the boundaries are made, make or break your sound. The idea is to have a listening area where the absorptions and reflections are calibrated to attain, as far as possible, a neutral environment. While there are no 'quick fix' formulae to convert a room to an 'ideal listening room', here are some things that you might try to attain optimal performance.

In your listening room, clap your hands, snap your fingers, and jingle a ring of keys. If the resulting sound is unintelligible (muffled), and resonating, your room is inclined toward being reflective. In this event, you might want to: Hang up curtains/ lay a carpet or rug / introduce book cases/ other racks. In the event that the resulting sound is too damped your room is inclined toward being absorptive. You might want to remove some of the absorptive material (like those given above). 

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