SRA 3010

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Overview

The SRA 3010 features the SRA trademark kevlar woofer, kevlar midrange and silk dome tweeter in a custom waveguide. Each of these transducers is individually powered by its own amplifier. Internal processing is via DSP (Digital Signal Processing), which also allows for detailed user equalization. Elegantly perched on the OFS1 adjustable stand, the 3010 is music to both ear and eye.


HIGHLIGHTS

 

  • Unique aluminium-MDF hybrid enclosure
  • Active H Class amplifier: 300 watt rms 
  • Kevlar midrange; custom HF waveguide
  • Ultra stiff innner bracing
  • DSP balanced crossover
  • Exceptional low frequency extension and overall detailing 

 

Specifications

DESCRIPTION 3 way active speaker
ENCLOSURE Heavily braced double MDF with aluminum side panels
TRANSDUCER COMPLEMENTS: HF 1 x 1" silk dome tweeter
TRANSDUCER COMPLEMENTS: MF 1 x 4" kevlar cone midrange
TRANSDUCER COMPLEMENTS: LF 1 x 8" kevlar cone woofer
AMPLIFIER CLASS Class H
AMPLIFIER POWER LF: 150 W, MF: 75 W, HF: 75 W
AMPLIFIER THD < 0.1%
MAX SPL 116 dB
FREQUENCY RESPONSE (-3 dB) on axis 40 Hz ~ 22 kHz
FREQUENCY EXTENSION (-10 dB) 35 Hz ~ 27 kHz
CROSSOVER FREQUENCY 400 Hz, 4 kHz
INPUTS Fully balanced XLR socket with link
FINISH Black with silver/ red panels
DIMENSIONS (HxWxD) mm 300 x 510 x 295
POWER CONSUMPTION 480 VA max.
NET WEIGHT 25 kg
ACCESSORIES SFS 3 W/B (Floor stand)

* All specifications are subject to change due to continuous improvements

SET UP YOUR SYSTEM

The following sketch shows an optimum set-up for a stereo system. The important part here is to place the speakers such that the head of the listener and the two monitors lie at the vertices of an equilateral triangle.

Figure 3: stereo set-up >



Distance from walls

While placing speakers, make sure that they are at least 50 cm away from any reflecting surface. This will help minimise bumps in the low-frequency response due to reflections, and also ensure that the rear-mounting port is unobstructed. It is also required to ensure that the heat sinks at the back have adequate ventilation, for uninterrupted operation.

 
ACOUSTICS OF THE LISTENING ROOM

The acoustical makeup of your listening room is key in determining how good (or bad) is the sound that reaches your ear. The contents of a room (carpets, curtains, furniture etc.), its shape, and the material of which the boundaries are made, make or break your sound. The idea is to have a listening area where the absorptions and reflections are calibrated to attain, as far as possible, a neutral environment. While there are no 'quick fix' formulae to convert a room to an 'ideal listening room', here are some things that you might try to attain optimal performance.

In your listening room, clap your hands, snap your fingers, and jingle a ring of keys. If the resulting sound is unintelligible (muffled), and resonating, your room is inclined toward being reflective. In this event, you might want to: Hang up curtains/ lay a carpet or rug / introduce book cases/ other racks. In the event that the resulting sound is too damped your room is inclined toward being absorptive. You might want to remove some of the absorptive material (like those given above). 

 

LEFT AND RIGHT UNITS 

Since the layout of drive units in the speaker is not axi-symmetric with respect to the vertical axis, the front layout of two speakers in a stereo set-up are not identical, but rather, mirror images of the other. You may place the speakers in either of the two ways

SRA 3010 placement

 

VERTICAL MOUNTING   

It is advisable for the HF tweeter to be at the same vertical level as your ear. The resulting HF dip can be compensated using on board tilts. However, please be advised not to have the tweeter too high above ear level.

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